Proud Martu woman and contemporary artist, Corina Jadai, from Bidyadanga in Western Australia debuted her label Jarli at the Indigenous Fashion Project’s 10^th annual  Country to Couture on Larrakia country (Darwin) August 2025.  

Creating resort wear inspired by the Pilbara and Kimberley, Corina’s collection blends vast desert landscapes with hues of the ocean and turtle shells integrating her cultural heritage and life on country into the creations.  

With the label, Jarli Creations, named in honour of Corina's great grandmother, the emerging designer says fashion and design are powerful ways to share culture and honour family.  

“I have always loved art,” Corina says, coming from a long line of nationally regarded artists. “We love creating art and sharing your stories through art. Some different ways of storytelling are through fabric and fashion.” 

Attending the Darwin Aboriginal Arts Fair (DAAF) to see her grandfather’s work exhibited, seeded the hope that Corina too would be part of the Darwin festival and have her collection on the runway at Country to Couture. 

In 2024, Corina’s collection was accepted, before making the difficult decision to withdraw it just weeks out. “There were issues with the fabric and digital printing,” Corina says, noting the challenges of preparing high-end couture from remote Australia.  

“I had to be realistic, and I didn’t want to have an unfinished piece on the runway,” she adds. “From the Kimberly to the Pilbara, relocating is difficult, and life happens. There are no fabric stores in the Western Desert.”  

Working with Australian Business Volunteer Senior Program Manager, Brigitte White, Corina connected with experts in the industry. This included a meeting with Kirrikin fashion and business leader, Amanda Healey who introduced Corina to the acclaimed pattern designer, Alice Cliff. 

“I was linked to Alice (Cliff) in Subiaco,” Corina says reflecting on the journey to bring her designs fully to life. “I created five versions of the garments, posted them to her, and she would send them back for review. We were always working.”  

Along with Country to Couture, her luxury resort wear collection was further shown on runways at the Kimberley Aboriginal Fashion Textiles Art (KAFTA) in June.  

While Corina says she’s relieved that the shows are now over, she is already planning her next collection with her eye on Australia Fashion Week, if not Milan and Paris. 

In her corner since 2023, Corina continues to be supported by the Martu Business Development Program delivered by ABV in partnership with Greatland to build her business skills, networks, seed funding.

“It was amazing to be with Corina at KAFTA and Country to Couture this year and see the designs that she first showed me on paper come to life on models,” Senior Program Manager Brigitte says.  

“Corina continues to grow in confidence as a designer in sharing the story behind her designs and the many of the decisions that are required to get these from paper to the catwalk.” 

Brigitte has always been supportive and found ways to get things done, Corina says. “She helped soothe all my nerves, be there in person, and is always happy to have a chat.”  

“We live in the Kimberley, and she also comes up here to meet in Broome or wherever we are,” Corina says. From 2024, Brigitte and the team at ABV have also facilitated opportunities for Corina to participate with Kirrikin at the Fortescue Festival, attend the Iris Van Herpern exhibition in Brisbane, and showcase her work at Telfer during NAIDOC week. 

Corina is committed to growing as an artist and a professional art centre worker with leading arts organisations including AACHWA, ANKA, Martumilli Artists and Bidydanga Arts Centre. 

We’re proud to see the incredible journeys of our entrepreneurs featured in the latest edition of Kujungkarrini, Greatland’s community magazine. This month’s stories shine a well-deserved spotlight on those who are turning vision into reality through hard work, creativity, and courage. 

Among them are Jeremy Sammy and Morika Biljabu, whose company Warnapari Services is creating new pathways for Martu people to work on Country; sisters Corina and Nuriah Jadai, whose fashion and design ventures blend cultural heritage with bold modern expression; and Freddy Wilridge of Longuda Designs, whose art and designs are reaching new audiences. The Kimberley Connection shows Martu entrepreneurs in the region shaping community-led enterprises grounded in culture and legacy. 

Their successes are the true story — and we’re privileged to walk alongside them through ABV’s business development program, made possible with the support of Greatland. Each step forward is a reminder of the strength, creativity, and leadership within Martu communities, and we’re excited to continue backing these entrepreneurs as they grow. 

Read more here:  Kujungarrini Edition 25 June 2025

“Water is life. Country is spirit. And painting is how I keep both alive.” 
– Lloyd Kwilla 

Lloyd Kwilla, born in 1980, is an acclaimed Aboriginal Australian artist whose works pulse with the spirit of his Country. Raised in Wangkatjungka on Christmas Creek Station, and now based in Pandanus Park, Lloyd’s art is grounded in the deep red earth of the northern Great Sandy Desert, where his family’s stories are written into the land itself. 

Influenced early by his father, revered tribal leader and healer Billy Thomas, Lloyd grew up walking barefoot across Country—feeling every heartbeat of the land. His paintings reflect this intimacy: layers of ochres and acrylics capturing Kuylayi, bushfire dreaming, and the sacred waterholes that give life to people and place. 

Years ago, Lloyd stepped away from painting. A decade in the city silenced the voices of his ancestors. But when he returned to Country, the spirit of his grandmother and grandfather came to him in visions. Their stories returned too. They whispered to him. And he painted. 

Today, as a grandfather of four, Lloyd blends tradition with new expression. Supported through ABV and Greatland Gold’s Martu Business Development Services, his creative practice continues to grow. From sacred objects to large-scale canvases, he continues to exhibit widely, including internationally. 

Recently, Lloyd was proudly recognised by Regional Arts WA for NAIDOC Week 2025. The feature honours his deep storytelling and connection to land, culture, and community – a testament to his strength, vision, and legacy. 

“I paint not from my mind, but from memory, heart, and spirit.” 

Each piece Lloyd creates is a living communication: between past and present, people and place, self and spirit. His art doesn’t just tell stories—it keeps them alive. 

Recent recognition as one of Regional Arts WA Artists of the Month for NAIDOC week 2025 
regionalartswa.org.au/lloyd-kwilla-painting-stories-of-country 

Explore Lloyd’s story and portfolio here:

Hearing about ABV from a friend in engineering, Geelong local Chris Maddock wasn’t sure that he would have the opportunity to share his skills through the organisation’s humanitarian programs.

It wasn’t until he had retired from his role as Business Manager for Christian College Geelong, that the right opportunity came along. “I saw an advertisement saying that there is a project in PNG, and I thought, oh well, I’ll put my resume in and see where we end up.”

Seven years and five projects later, and Chris hasn’t looked back. From projects in the Pacific to business coaching in the Pilbara, he has worked across rich cultures to support people in realising their business goals.

This work includes providing business coaching to two Martu men living in the Western Desert region of the Pilbara as part of ABV’s Martu Business Development Services program. ABV staff and volunteers work closely with program sponsors, Greatland Gold – owners of the Telfer mine.

“One of the Martu men I was speaking to recently is doing really well,” Chris says referring to his work in the Pilbara. “He’s got his business accredited and he’s started to get contracts with the mining company.

“This is something that he had given up on before we had started working together.”

“We’re in regular contact and throw ideas around: how can I package this, how do I price that?” he continues. “I’ve been able to develop cash-flow projections, a capacity statement and business plans, but it’s about me packaging these up and saying if you’re happy with it, use it. If not, let’s change it.”

“It's all driven by them, and I’d prefer it that way.”

This progress mightn’t happen overnight, but Chris said it’s built on a foundation of trust, and feedback between the facilitator and participants. “I have to give credit to ABV. They’re nurturing relationships, and finding (out) what both the community and individual participant's need.”

He adds that it boils down to respect. “No matter if we have different worldviews, if people are respected and feel listened to and valued, it goes a long way to be able to connect.”

“I’m a facilitator. Nothing more,” Chris says about his work. “I want it to be all about their story. People love to tell you what to do, and I’m not going to do that,” he adds.

“I might ask, have you thought about this as an option? What does this look like for you? It is the person who knows their business and what they want to achieve that must have the decision-making power.”

Wanting to share his skills as part of his Christian values, Chris says volunteering has enabled him to support others who may not have ready access to the training and coaching that he and his fellow volunteers provide.

“I’m not a doctor. I’m not a counsellor, but I look at how I can use the skills that I have to help people in different ways,” Chris says reflecting on his volunteering and charitable work more broadly. “The people that ABV introduces us to, don’t usually get the same exposure and access to the sorts of training that we offer.”

“Being able to share my skills in business management and provide coaching provides me with the greatest level of satisfaction.”

“I guess I'm at the age of doing a lot more reflecting, and when it comes to how you spend your time, what’s the one thing you can look back on and feel content and satisfied in,” Chris says, emphasising the extreme satisfaction he receives from helping at least one person achieve a life goal, let alone many people.

“If you have helped just one person, who would it have been, and why would you do it? Each person has their own “why” that drives them, even if they can’t easily articulate what it is, but they will know what it feels like when they get that deep seated sense of satisfaction,” Chris adds.

From humble beginnings on a cattle station near Sandfire, Freddy’s journey has been one of resilience, independence, and creativity. Inspired by the land and the stories of his community, he began painting in 2017. This became a profound way to share his feelings and express his connection to the unique beauty and spirit of the country.

Now, through Longuda Designs, inspired by his traditional name (Blue Tongue Lizard), Freddy’s artwork is bridging cultures and uniting people. As part of ABV’s Martu Business Development Services program, funded by Greatland Gold, what started as a small sole trader business has now blossomed and expanded in scope, from showcasing his goods at local markets to exhibiting at the Broome Art Gallery. Thanks to the unwavering support from ABV volunteer, Martin Venier, and the whole team’s dedication, Freddy is diversifying with new ventures like stunning fishing shirts featuring his artworks!

“Art helps me focus, paintings tell a thousand words and inspires me to express myself through my art work”

Through the transformative power of art, Longuda Designs envisions a world where Australians and people across the globe come together. By weaving creativity, culture, and connection into his designs and products, he hopes to inspire unity, celebrate diversity and build bridges that transcend borders.

In collaboration with Greatland Gold Telfer, ABV’s Martu Business Development Service celebrates the exceptional First Nations women we have had the privilege of supporting and walking alongside on their business journeys in the Western Pilbara.

Introducing the Martu sisters, Corina Jadai and Nuriah Jadai, First Nations artists who bring their culture, stories and creative visions to life to lasting social and cultural impact.

Nuriah Jadai: Connecting worlds through culture, creativity and leadership

Nuriah Jadai’s journey began in the remote communities of Bidyadanga and Parnngurr in West Australia. Surrounded by nature, Nuriah spent her childhood fishing, hunting and gathering bush tucker. Her quiet strength and determination are reflections of the guidance and wisdom that was passed down from her Elders.

With a bold vision for the future, Nuriah sees creativity as a driving force that connects diverse worlds through art, fashion, and culture. Her creative practice spans a diverse range of projects, which includes painting, First Nations fashion and furniture design, steampunk-inspired fabric, photography, education, public speaking, and advocacy.

"I see creativity as a way to bring together different worlds," Nuriah says. "Art and fashion have the power to bridge gaps and open conversations. Through this platform, we create spaces for creativity, culture, and leadership to thrive."

Through her work, Nuriah is passionate about building connections, empowering others, and celebrating the richness of First Nations culture in every form of art. She continues to inspire and lead with purpose, showcasing how art can break boundaries, and create lasting social and cultural impact.

Corina Jadai: From the Kimberley to creativity, a journey of art and culture

Meet Corina Jadai, an artist, fashion and graphic designer whose roots run deep in the vibrant landscapes of the Kimberley and Pilbara regions in West Australia. Growing up in this culturally rich environment profoundly influenced Corina’s work, infusing her creative expressions with the colours, patterns, and stories of her Country and culture.

Corina’s connection to art is more than a career—it’s a way of life. Her approach to creativity is guided by a strong sense of cultural identity, where each brushstroke and design reflects the essence of her upbringing. The dynamic colours and intricate details of her work draw inspiration from the natural beauty and history of the Kimberley and Western Desert regions, weaving together tradition and innovation.

For Corina, being a creative artist and designer is about telling a story and staying true to her roots. "Being a Creative is more than just a job; it’s who I am and what I do.” Her artistry serves as a strong reminder that creativity is a powerful tool for connection, expression, and for preserving the stories that define us.

ABV is pleased to work with Corina and Nuriah Jadai as part of its Martu Business Development Services in Pilbara and Kimberley regions to provide meaningful economic pathways for Martu entrepreneurs across West Australia.

Meet Corina Jadai, a proud Martu woman from the Broome region of Western Australia. 
 
Since joining our program in 2023, Corina has been thriving under the guidance of her amazing volunteer mentor, Liz Reece.
 
Corina is an incredibly talented creative who has found success in the fields of art and graphic design. Currently, she is venturing into the exciting realm of First Nations fashion.
 
Recently, Corina had the opportunity to showcase her work, business ideas, and reflections on her program experience with our CEO, Liz Mackinlay. Liz was thrilled to hear how Corina’s mentor and the Martu program team has been helpful to Corina in her creative journey.
 
Corina is pictured here with the ABV team, Garth James Preece, Brigitte White and CEO Liz Mackinlay, on a recent visit to Perth to see the program in action. 
 
This trip was a part of ABV's dedication to supporting First Nations entrepreneurs develop and launch their business in Western Australia.

The ABV team were fortunate enough to be on Martu country throughout December supporting Newmont Australia Telfer with their Christmas celebrations. Newmont Telfer holds yearly festive events for Martu communities with plenty of food and a special visit from Santa to deliver presents to local schools.

A dedicated team wrapped over 500 presents for delivery to the Parnngurr, Warralong, Nullagine and Marble Bar communities. Most days soar above 45 degrees this time of year, and there can be 5–10 hour long drives between each town. It can be challenging working in this climate, but it was ultimately an enriching experience for our team. 

Thank you to the team at Newmont Telfer, Daniel Tincknell, Emily Siviour, Demi Okely, Sabino Andriani, and Garth James Preece, who were part of making this possible. The ABV team shared how fortunate they feel to have been part of the journey with Newmont Telfer and on Martu Country. We look forward to all the exciting possibilities for this program in 2024!

Last week, the ABV Team headed to Broome to bring together our second cohort of Mentors and Martu community members for our Martu Business mentoring program. Seeing the mentors and the Fitzroy Valley community members visioning, innovating, planning and gaining momentum was exciting for our team.

"Once again, we were blown away by the talent, determination, and beautiful business ideas amongst the Martu community members," said Anna Durward, Senior Program Manager.

We thank our mentors, Liz, Martin, and Ross, for joining Anna, Oscar Mussons and Garth James Preece in Broome for this impactful and insightful trip.

We also extend our gratitude to Newmont Australia (previously Newcrest) for the ongoing partnership, which enables us to continue to walk alongside Martu community members on a pathway to economic self-determination through business.

Anna Durward and Natascha Wernick from Australian Business Volunteers (ABV) and Daniel Tincknell from Newcrest Mining had an enriching trip last week, building relationships with Martu community members and Marra Worra Worra Aboriginal Corporation in the Fitzroy Crossing area. Marra Worra Worra is the largest First Nations resource agency in Kimberly. Over its 41-year history, Marra Worra Worra has assisted First Nations people in returning to their country to live in independent communities.

It was exciting for the ABV team to engage with communities like Wangkatjunka and Yunggora and see so much talent and eagerness for entrepreneurship. Several new community members are joining the mentoring program to build businesses, which is a positive step towards supporting their communities and families, fostering long-term economic self-determination.

The team had the privilege of hearing many stories about the significance of Martuwarra Fitzroy, the Martu and other language groups' culture, knowledge, and sovereignty.

Pictured: Anna Durward, ABV Senior Program Manager; Sharon Bienundurry, Martu woman and member of the Marra Worra Worra board; Natascha Wernick, ABV Program Facilitator Community Development.

Pictured: Patrick Green, Bunuba man and director, Marra Worra Worra with Nat and Anna.